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Author of middle-grade books: OLIVIA KIDNEY, SLOB, SPILLING INK, co-authored by Anne Mazer, THE KNEEBONE BOY, & THE HUMMING ROOM (coming February 2012!)
The Humming Room; Ellen Potter chats about her re-telling of The Secret Garden
In the fourth grade, I had the same teacher that my older brother had two years earlier. My older brother was one of these super-smarties. When the teacher realized that I was his kid sister, she eyeballed me with a mix of curiosity and doubt. I could just imagine her thinking, “Hmm. How will this kid measure up to the original?”
Many years later, I found myself in a similar squirmy position. I had gleefully launched into writing the middle-grade novel The Humming Room, which was based on the beloved classic The Secret Garden. I was thrilled with the challenge of making one of my favorite books more contemporary. At first. Before long, though, I realized just how scary taking on a classic could be. How does a writer honor the original . . . with originality?
I tinkered with many different scenarios: Maybe Mary could be a boy? And instead of a garden, there could be an aviary. Or an abandoned museum. In the end, though, I chucked all the fancy scenarios. The original storyline was just too lovely to mess with. Instead I decided to use a new setting in order to give The Humming Room its own flavor.
I remember sitting on a pier in The Thousand Islands region of New York, where we lived at the time, thinking, “Where should I set this book?” I stared out at the vast and wild St Lawrence River. “Where . . . where . . .?”
I’m not always quick on the uptake.
Eventually, though, I realized the obvious. An island on the St. Lawrence River was the perfect setting. Like the Yorkshire moors, the river was changeable and moody; and sending my heroine, Roo, to live in a defunct tuberculosis sanitarium on one of the river’s many islands made her as isolated as Mary had been in Misselthwaite Manor.
The river solved another of my worries too—Dickon. Let’s face it, the original Dickon is a babe. He’s kind, his best friend is a fox, and he has a smoking-great accent. He’s a tough act to follow. I wanted to make “my Dickon” just as charismatic, yet completely different. My Dickon—named Jack—emerged right out of the St. Lawrence, like a sea creature. I imagined a mysterious, feral boy who lived on the water. The untamed St. Lawrence River was Jack’s “pet fox” in a sense, turning stormy or calm at his bidding. But most importantly, Jack was smitten with Roo. I had always wished that Mary and Dickon had fallen in love. In my version, they do.
I must admit that I squirmed with nerves through much of the writing of The Humming Room, just as I had back in the fourth grade. As I recall, I didn’t make all A’s on my fourth-grade report card like my brother had. Still, my teacher eventually stopped thinking of me as my brother’s kid sister. The original was unrepeatable; I was my own kind of thing . . . which is how I hope my readers will feel about The Humming Room.
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I'm a wife, student, and a dog-lover who reads when I should be folding laundry (bane of my existance), I write (rarely as academic papers consume my life), and love getting wrapped up in fiction.